Creation myth of the "geo-architect"

Doug Henwood dhenwood at panix.com
Thu Jul 15 11:55:21 PDT 1999


Le Monde diplomatique

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July 1999

PAEON OF PRAISE TO GLOBALISATION

Creation myth of the "geo-architect

_________________________________________________________________

Books celebrating the current economic system and the growing power of

the markets are on the increase. Rarely however have their authors

shown as much zeal as Thomas Friedman, one of the New York Times' star

writers. Apart from its impact, his book expresses in an almost

emblematic way the thinking of the American ruling classes. As well as

that of economic and political leaders elsewhere who dream of

imitating the US.

by THOMAS C FRANK

_________________________________________________________________

By now most readers have heard of globalisation and have understood

that it means something familiar: "capitalism or else." Oh, but it is

so much more than just that, declares Thomas Friedman, foreign affairs

columnist for the New York Times. His goal in his much-celebrated and

best-selling book The Lexus and the Olive Tree (1) is not to describe

globalisation for us but to help us to understand it. By this he

apparently means hammering into our heads the notion that

globalisation is the end object of human civilisation , that

globalisation is loveable and trustworthy, that globalisation will

make us rich, set us free, and generally elevate everything and

everyone everywhere.

In recent years cosmic optimism of this sort has become familiar

stuff, something we have grown used to hearing not only from superstar

journalists but also from CEOs, stock market analysts, politicians,

economists, TV commercials, preachers, and even pop stars. It is very

much the official American faith of the last ten years. Even so,

Friedman's contribution to the subject stands out. After all, he is

among the most respected foreign-affairs commentators in the US, a

two-time winner of the Pulitzer prize, and once so close to the head

of the foreign policy establishment that the American weekly The New

Republic described him years ago as a functionary of the "James Baker

ministry of information". His contribution to the subject of

globalisation can be expected to hew close to official wisdom. What

will surprise readers of The Lexus and the Olive Tree is the massive

escalation of rhetoric in which that official wisdom is expressed, a

tone of arrogance so grandiose that one suspects the author has taken

leave of his senses.

The book's ostensible subject is predictable enough. Friedman intends

to prove that the global triumph of capitalism has brought democracy

to the people of the world. He tells us of the "democratisation of

technology" in which we all get computers and telephones; he marvels

at the "democratisation of finance" in which we all get to invest in

everything; he paints for us a miraculous "democratisation of

information" in which we get more TV channels than ever before. All of

these forces have combined to subvert top-down hierarchies of all

kinds, he asserts, whether Soviet, Indonesian, or old-style American

corporate. It's not long before he's hailing the Internet as both the

most democratic place on earth and the very "model of perfect

competition."

Friedman's path is littered, however, with errors of fact and

interpretation so utterly obvious that one wonders how they made it

past editors at his publishing house, let alone at the New York Times.

For example, he repeatedly and mysteriously implies that the welfare

state and regulatory policies instituted in the 1930s were in fact

somehow brought about by the pressures of the cold war. He incorrectly

asserts that "in the old days" foreign securities "were never traded

on an open market" while now "you and me and my Aunt Bev" can all buy

South American bonds, which of course figures as spectacular evidence

of the democratisation of ownership (Friedman has presumably never

heard about the infamous Peruvian bonds which were sold to all manner

of middle Americans in the 1920s). He erroneously describes Hong Kong

and Singapore as being more "democratic" than South Korea. He

offhandedly blames the first world war on the intriguing of

Austria-Hungary. He devotes an entire chapter to the absurd notion

that no two countries in which there are McDonalds restaurants have

ever warred with each other.

Error is one thing; deliberate propaganda is quite another. Start with

the car and the tree that are counterposed in Friedman's title. These

are meant to refer to excellent globalising economic forces on the one

hand and foolish, backward regionalism on the other. It's not an

original image. One thinks immediately of Benjamin Barber's infinitely

more balanced 1995 treatment of the same subject, Jihad vs. McWorld

(2), but Friedman gives no sign that he has read Barber's book.

Indeed, Friedman gives no sign that he's read any of the sophisticated

expressions of doubt about capitalism or globalisation to appear in

recent years - for example, the books by John Gray, William Greider or

Doug Henwood (3).

Doubt about globalisation is a sentiment he means to crush utterly and

so he insists on attributing it exclusively to dictators, bigots,

politicians, the French, and other traditional targets of American

loathing. Under no circumstances can scepticism about markets be

permitted a reasonable articulation. This is a millennial work in the

fullest sense of the word. The world is changing ever so fast,

Friedman tells us in his gawking, wonder-filled style; no, wait, the

world has changed - in American barbershops they are now talking about

the Thai currency. Individuals everywhere are "super-empowered", the

Japanese are building really fine cars with almost no human labour -

and it's globalorious! The book's cover says it all, with its raised

golden lettering and its picture of orangey dawn breaking over the

globey globe, a bit like a popular religious tract. It's Dianetics for

the new breed of international profiteers.

One dollar, one vote

Friedman's rhetorical strategy is the literary version of the United

States' recent stock-market mania. Like day-traders running up the

price of Amazon shares, Friedman has simply identified the various fad

ideas of the last ten years and bid them up a little more. Take

Friedman on countries other than the US. He repeatedly asks readers to

imagine their humiliation at the hands of what he likes to call "the

electronic herd", otherwise known as buyers of securities, and invents

all manner of pithy putdowns that the "herd" might deliver as it

leaves a country in the dust. In one chapter he imagines the nations

of the world spread out before him like so many stock listings in the

daily newspaper; he recommends that we "buy" some and "sell" others.

Or take his definition of democracy. It is not a thing of citizenship

and the common good but a simple matter of money. It is "one dollar,

one vote" - a system in which the market and corporate interests

rightly and naturally dictate to everyone else. Thus even as Friedman

whoops it up for the People, he takes pains to warn us that the real

boss, the market, will not tolerate any sort of political activity

beyond its very narrow spectrum of permissible beliefs.

No country that wishes to participate in the global gloriosity will be

allowed to regulate its markets or provide for its unfortunates beyond

what Friedman deems appropriate. Their "political choices get reduced

to Pepsi or Coke - to slight nuances of taste, slight nuances of

policy ... but never any major deviation from the core golden rules".

He even describes the various punishments that the wrong sort of

voting would bring down on a country, as investors "stampede away" and

stock markets crash.

Most revealing is Friedman's understanding of the US itself, the

country in whose image markets quite naturally wish to remake the

world. In a closing chapter he asks us to wonder with him at how "a

visionary geo-architect" (ie, God) would go about designing the

ultimate nation, how He would insist that it had "the most flexible

labour market in the world", how He would ensure that all manner of

rebellions and zany lifestyle accessories would be tolerated in the

boardroom as the signs of creativity that they are. But also (only a

few sentences later) how He would be sure to allow corporate

managements to "hire and fire workers with relative ease".

Evidently it is no longer enough to see providence in our "fruited

plains" or even to claim, as Rockefeller did, that "God gave me my

money". In passages like these Friedman is virtually asking us to

imagine God descending from the heavens to draft the script for

management, send in the strikebreakers, and make Manpower the

fastest-growing employer in the land.

In stylistic terms the book seems to belong to that genre of madly

triumphalist TV commercials that the software and brokerage industries

have been running in recent years. Not coincidentally, Friedman quotes

such commercials throughout his book -not as examples of transparent

corporate PR or efforts to sell something, but as particularly

compelling, particularly truthful bits of shamanistic soothsaying

which he evaluates only by appending his fervent Amens.

Thomas Friedman may write like a TV commercial, but he proudly informs

us that he thinks like a "hedge fund manager", one of those

high-powered international investment bankers. This is because, as he

puts it, he finds it helpful to think about the world in six different

"dimensions" while everyone else except for him and his friends, the

hedge fund managers, thinks only in five, or four, or three (5).

Friedman calls his method of cultural reasoning "arbitrage".

When future students of the 1990s seek to categorise his book they

will be tempted to understand it as a contribution to that popular

genre of business writing known as "futurism," a literature marked by

its wonder-filled talk about the ever-increasing rate of "change"; its

ranks of neologisms; its homegrown "metanarratives" destined to

replace archaic or pitiful categories like social class; and its

telltale charts, purporting to explain geopolitics or management

strategies or consumer enthusiasm according to some calculus of

pop-psychology categories.

But what Friedman has actually written is a veritable dictionary of

the shibboleths of our time, awesome in its inclusiveness. They are

all there: enthusiasm for the "rebranding" of Britain, casual

badmouthing of France for its efforts to retain its welfare state,

facile equating of Great Society America with the Soviet Union. Each

of them is monstrous, foolish, and preposterous in its own way, but

thrown together here they make a truly dispiriting impression. I can

only compare the sensation of reading The Lexus and the Olive Tree to

the first time I heard Newt Gingrich speak publicly and it began to

dawn on me that this is what the ruling class calls thinking, that

this handful of pathetic, palpably untrue prejudices are all they have

to guide them as they shuttle back and forth between the State

Department and the big thinktanks, discussing what they mean to do

with us and how they plan to dispose of our country.

* Editorial director of the Chicago magazine The Baffler

(http://www.thebaffler.com) and author of The Conquest of Cool

(University of Chicago Press, Chicago, 1997)

1. Thomas Friedman, The Lexus and the Olive Tree: Understanding

Globalisation, Farrar Strauss and Girouz, New York, 1999, 416

pages, $27.50.

2. Jihad vs. McWorld, Ballantine Books, New York, 1996.

3. John Gray, False Dawn, New Press, New York, 1998; William Greider,

One World, Ready or not: the Manic Logic of Global Capitalism,

Simon & Schuster, New York, 1997; and Doug Henwood, Wall Street,

Verso, London 1997.

4. See Thomas C Frank, "France, an unforgivable exception", Le Monde

diplomatique, English Internet edition, April 1998.

5. These "dimensions" are politics, culture, national defence,

financial markets, technology and environment.

Original text in English

<http://www.monde-diplomatique.fr/en/1999/07/?c=07frank>



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