it's a cheap shot to argue guilt by association. and it's a cheap shot to read into ysomeone's argument all sorts of things that aren't there. and unfortunately this is what is going on. if you all think that it's appropriate to talk to people this way, well lots of luck getting anyone organized and on your side. and i'm NOT arguing for patronizing, condescending [mean the same thing chaz] nicey nicey group hug nonsense either. i am though arguing for a discussion style that presumes that your interlocutor is worthy of your respect on some level. for if you can't indicate that in your styles and tone, then why bother? why bother arguing wwith someone you've written off from the beginning. why bother unless you like fucking their dead skeltons. the necrophelia is a bit much.
it is all just about getting your jollies at others' expense? because that's the message i'm getting lately.
and yes i get my jollies at other's expense on occasion, but is precisely because all i see lately is systematica dismissals of everyone that i can no longer take anyone seriously.
as cranky as you can be carrol, i rarely see you do this and why i take you seriously more often than not.
kelley
At 12:13 PM 11/1/1999 -0600, you wrote:
>Steve Perry wrote:
>
>> the relentless tendency down unto the present day to view
>> the world as a text, and politics as a pretext for
>> turgid, interminable proto-literary theorizing.
>
>I object to this on very similar grounds to my objections to
>using "dogmatism" as a charge: it is essentially unprincipled.
>The question is the validity of the substance of an argument,
>not the personal morals or verbal felicity of the person
>making the argument..
>
>It is also extremely bad tactics. As a friend of mine used to say,
>Opportunism is seldom opportune, and this constant whine
>about style is opportunist.. Most (not all) of those who
>are called pomo operate from utterly unconvincing premises
>and arrive at utterly unconvincing conclusions (which, in
>addition, usually turn out to have reactionary political
>implications). This is true, for example, of Derrida's *Spectres
>of Marxism*. So why the fuck quibble about their
>prose style like a freshman complaining about too tough a
>reading assignment in World History?
>
>Carrol
>
>
>
>