economists do art

Michael Perelman michael at ecst.csuchico.edu
Fri Jul 6 19:04:44 PDT 2001


I sent an earlier version to an art historian. He said that they did not know squat about art, which led them down the wrong path.

On Fri, Jul 06, 2001 at 06:05:00PM -0400, Doug Henwood wrote:
> [Any art connoisseurs want to do to this what Leo did to the teacher crap?]
>
> <http://papers.nber.org/papers/W8368>
>
> Young Geniuses and Old Masters: The Life Cycles of Great Artists from
> Masaccio to Jasper Johns
> David W. Galenson, Robert Jensen
>
> NBER Working Paper No. W8368
> Issued in July 2001
>
> There have been two very different life cycles for great artists:
> some have made their greatest contributions very early in their
> careers, whereas others have produced their best work late in their
> lives. These two patterns have been associated with different working
> methods, as art's young geniuses have worked deductively to make
> conceptual innovations, while its old masters have worked
> inductively, to innovate experimentally. We demonstrate the value of
> this typology by considering the careers of four great conceptual
> innovators - Masaccio, Raphael, Picasso, and Johns - and five great
> experimental innovators - Michelangelo, Titian, Rembrandt, C’zanne,
> and Pollock. Recognition of the effect of an artist's methods on the
> timing of his contribution appears to solve a puzzle that has been
> recognized by art historians for more than a century.
>
>

-- Michael Perelman Economics Department California State University Chico, CA 95929

Tel. 530-898-5321 E-Mail michael at ecst.csuchico.edu



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