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<DIV><FONT face=Arial size=2><FONT face="Times New Roman" size=3>Gordon Fitch
wrote: </FONT></FONT></DIV>
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size=3></FONT></FONT> </DIV>
<DIV><FONT face=Arial size=2><FONT face="Times New Roman" size=3><EM>I don't
know about anyone else, but I think the world I knew<BR>ended a few days ago and
a new one began. I'm trying to<BR>understand the new one and figure out
how to deal with it.<BR>At this point many of the facts of the new world are
still<BR>obscure. A good deal of what I hear -- the tub-thumping,<BR>the
sentimentalization, the reflections of reflections on<BR>the media -- now seem
to echo from another room. </EM></FONT></FONT></DIV>
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size=3><EM></EM></FONT></FONT> </DIV>
<DIV><FONT face=Arial size=2><FONT face="Times New Roman" size=3>By coincidence,
I was just given a gift of the Criterion Collection edition of Terry
Gilliam's <U>Brazil</U>, and watched it this evening. There is a
shocking sequence early in the film in which concrete towers thrust upward
from the Earth, looking a lot like the collapse of the WTC towers in reverse. I
have been chilled to see the film again in light of the Event, and to consider
what parallels may exist between Gilliam's nightmare and our future as a country
in a state of permanent war/surveillance, i.e. "the facts of the new
world." I hear echoes from another room, too--the interrogation room. I
hope I'm wrong, of course. But it all seems to be playing so conveniently for
the Bushite agenda. What sort of resistance is possible at this
point?</FONT></DIV></FONT></BODY></HTML>