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My only critcism of this work by Neizvestny is that he got the symbolism of the colors black and white backward.<BR>
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CB<BR>
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<BLOCKQUOTE TYPE=CITE style="BORDER-LEFT: #0000ff 2px solid; MARGIN-LEFT: 5px; MARGIN-RIGHT: 0px; PADDING-LEFT: 5px">Date: Thu, 6 Mar 2003 06:52:44 -0800 (PST)<BR>
From: andie nachgeborenen <andie_nachgeborenen@yahoo.com><BR>
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* * * Khrushchev's monument was designed by an artist [Ernst<BR>
Neizvestny] that old Nikita hated, but his family was<BR>
so impressed with the creation that they went along<BR>
with it. The black side of this monument depicts the<BR>
darkness or evil part of Khrushchev's life and the <BR>
white represents the good side of him. The two<BR>
interlink to show how the good and bad blended in<BR>
his life. The bronze bust of him is between the two<BR>
(black and white; good and bad) to show how he,<BR>
personally, was caught in between them.<BR>
<BR>
clip-<BR>
<BR>
Describing the concept for the tombstone Neizvestny<BR>
said:<BR>
<BR>
"In a philosophical sense life itself is based on<BR>
an antagonism between two principles, one is bright,<BR>
progressive, dynamic; the other is dark reactionary,<BR>
static. One strains to move forward, the other pulls<BR>
back. This basic idea fits Nikita Sergeievich's image<BR>
quite well. He began to lead our country out o the<BR>
darkness and he exposed Stalin's crimes. The dawn<BR>
broke for all of us, heralding the immanent rise of<BR>
the sun. The light began to dispel the darkness. <BR>
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This is reflected in the tombstone. The main<BR>
component is white marble, its dynamic form bearing<BR>
down on black granite. The darkness resists,<BR>
struggles, refuses to yield, as with the man himself. <BR>
It is no accident that the head is on a white<BR>
pedestal, or that the background remains dark. In the<BR>
upper corner of the white is a symbolic<BR>
representation of the sun. Rays extend down from it<BR>
dispelling darkness. <BR>
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