[lbo-talk] Haunted Land (Dir. Mary Ellen Davis)
Yoshie Furuhashi
furuhashi.1 at osu.edu
Thu Jan 1 05:12:25 PST 2004
***** Haunted Land
Canada-Guatemala 2001, 74 minutes
Two paths cross on a descent into Guatemala's past: that of Mateo
Pablo, Maya survivor of one of many massacres that took place during
the country's recent civil war, and Daniel Hernández-Salazar,
Guatemalan artist and photographer whose work grapples with local
human rights violations.
Dos destinos se cruzan en el sendero de la memoria histórica de
Guatemala: Mateo Pablo, sobreviviente maya de una de las numerosas
masacres perpetuadas durante la reciente guerra civil, y Daniel
Hernández-Salazar; artista y fotógrafo guatemalteco cuyas obras
escrutan y denuncian las violaciones de los derechos humanos.
Together they travel to a remote site in the highlands where the
community of Petanac once stood. Mateo grew up and lived there until
1982, when his family and neighbours were tortured and murdered by
the Guatemalan army, whose soldiers later burned Petanac to the
ground.
Viajando juntos por el altiplano, visitan el lugar que había ocupado
la comunidad maya de Petanac. En ese lugar experimentó un vuelco la
vida de Mateo, cuando en 1982 el ejército guatemalteco torturó y
asesinó a su familia y a sus vecinos dejando el pueblo reducido a
cenizas.
Today, nothing has been forgotten. At Petanac and other Maya
communities across Guatemala survivors gather to bear witness as
forensic experts unearth the mass graves of their loved ones. The
bones found in clandestine cemeteries tell their own mute story of
agony and terror, once the dirt and dust have been patiently removed
by teams of archaeologists. A story far removed from the treasures of
ancient Maya culture.
Sin embargo, la memoria persiste. En las comunidades mayas los
sobrevivientes de las masacres se reúnen alrededor de las fosas
cavadas por los equipos forenses; los arqueólogos desentierran
pacientemente los huesos de los desaparecidos en lugar de tesoros de
la antigua cultura maya. Una vez descubiertas, las osamentas cuentan
su propia historia muda de agonía y de terror.
"A moving work, and a great testimony to break the silence about the
genocide in Guatemala."
- Rigoberta Menchú Tum, Nobel Peace Prize winner
"Una conmovedora obra, y un gran testimonio para seguir rompiendo el
silencio sobre el genocidio en Guatemala."
- Rigoberta Menchú Tum, Premio Nobel de la Paz
Avec la participation de Mateo Pablo, Daniel Hernández-Salazar,
Gabriela Santos, Sarah Baillargeon, les survivants de Petanac,
PAQG, ODHA, FAFG et FAMDEGUA
image Guillermo Escalón - son Cristobal Urbina
oeuvres photographiques Daniel Hernández-Salazar
montage Sol Millán, Mary Ellen Davis - montage sonore Paul Gauthier
musique originale Stephen de Oliveira
archives Lancerio Lopez (ODHA), José Vásquez, Sergio Alfaro, Carlos
Martínez Suárez
Productions B'alba en coproduction avec PRIM (bourse documentaire
d'auteur à risque PRIM)
Avec le soutien de: ACDI, FCFVI, CALQ , SODEC.
Premio Lanza de Amaru Siona 2001, IV Festival de la Serpiente, Quito, Ecuador
Festival Abya Yala des Premiers Peuples des Amériques, organisé par la CONAIE
Honorable Mention, Alucine Toronto Latino Film & Video Festival, Dec. 2002
L.A.S.A. Award of Merit in Film 2002 Latin American Studies Association, U.S.A.
Festivals: Quito/Équateur, Kerala/Inde, Mediawave/Hongrie,
Documentalistas/Argentine, Mexique, Montevideo/Uruguay,
Durban/Afrique du Sud, Las Americas/Texas, Cine-Accion/Californie,
Chicago Latino Film Festival, Alucine/Toronto
Contact us:
Productions B'alba
5704 rue St-Urbain
Montréal, Québec
H2T 2X3 Canada
Phone or fax: (514) 270-7983
E-mail: medavis at sympatico.ca
www3.sympatico.ca/medavis
<http://www3.sympatico.ca/medavis/ehaunted.htm> *****
***** Tierra Madre
Canada-Guatemala 1996, 54 minutes
In Guatemala, property ownership is restricted to a very few: most
peasants, including the Mayas, possess no land. In a country dragged
down by war, many people endlessly seek a patch of land. This is what
the eloquent examples of Sacred Earth so touchingly reveal.
Despite arrests, threats and destruction of their harvest, a Q'eqchi
community defends its ancestral rights on the property of an
agricultural exporter. Elsewhere, when Q'eqchi peasants claim wages
or a few acres of earth, they're accused of being guerrillas. In
1982, the army massacred eight hundred peasants - men, women and
children - who had arrived four years earlier to found a village. The
story of "Las Dos Erres" is narrated by neighbours and survivors...
In the face of these terrible injustices, these tragedies, the people
continue to celebrate life through their music, dance, ceremonies and
religious offerings. Will hope triumph over violence? Sacred Earth
tells of courage and of faith, within the quest for peace.
image Guillermo Escalon - son Mark Sherman, Haroldo Martinez
montage Katharine Asals - musique traditionnelle de Alta Verapaz
avec la participation de Misioneros de la Preciosa Sangre, Pastoral
social de la Diocesis de Alta Verapaz, Famdegua, ODHA, CONIC, CONDEG
Productions B'alba. Avec le soutien de: Conseil des arts du Canada,
Téléfilm Canada, FCFVI, ONF (programme PAFPS), CECI, Développement et
paix, Université Concordia, Grand conseil des Cris, Vision TV,
Knowledge Network.
Prix de la qualité du témoignage 96,
5e Festival americano de cine y video de los Pueblos Indigenas, Santa
Cruz, Bolivie
Prix Medianet 96, Festival de Munich, Allemagne
Contact us :
Productions B'alba
5704 rue St-Urbain
Montréal, Québec
H2T 2X3 Canada
Phone or fax: (514) 270-7983
E-mail: medavis at sympatico.ca
www3.sympatico.ca/medavis
<http://www3.sympatico.ca/medavis/etierra.htm> *****
***** The Devil's Dream
Canada-Guatemala 1992, 68 minutes
(English version: available as 68 minutes or shorter version 58 minutes)
(versión con subtítulos españoles: 68 minutos)
The folkloric Dance of the 24 Devils sheds new light on the reality
of Guatemala. The Devils reveal a strong antagonism, both
contemporary and mythological: they've declared war on humanity and
have set out "to capture all souls", while Death heralds the end of
mankind!
La danza folklórica de "Los 24 Diablos" ofrece una nueva perspectiva
de la realidad guatemalteca. El baile nos permite descubrir un
antagonismo a la vez mitológico y contemporáneo: los demonios
declaran la guerra a la humanidad capturando almas. ¡La Muerte ha
decretado el fin del género humano!
Combining lyricism, realism and irony, The Devil's Dream explores the
soul of this paradoxical country. We discover not only the beauty of
the landscape, the people and their creative imagination, but also
the wretched conditions of life, the spectre of violence, and a
pervasive sense of the absurd.
Con lirismo, realismo e ironía, el film explora el universo
paradójico de Guatemala: sus habitantes y su riqueza cultural, la
belleza de los paisajes, las ingratas condiciones de vida, el
espectro de la violencia y una creciente sensación de absurdo.
Guatemala is a society split between native and non-native, rich and
poor, civil and military. Native people pick cotton for two dollars a
day, their children work for half that amount. Those who dare to
protest risk their lives. In this documentary, the people tell the
story in their own words.
Guatemala es un país dividido entre ricos y pobres, indígenas y
blancos, civiles y militares. En las plantaciones de algodón los
indígenas reciben como pago dos dólares diarios y sus niños menos de
la mitad de ese salario. Atreverse a protestar es arriesgar la vida.
El film Las Quimeras del Diablo da la palabra a los guatemaltecos.
avec la participation de "La légion des 24 Diables"
image Guillermo Escalón - son Javier Leal, Mark Sherman
montage Fernand Bélanger, Mary Ellen Davis - montage sonore Paul Gauthier
musique traditionnelle du Guatemala - archives vidéo 88-90 du Guatemala
production Adam Symansky, Carmen Garcia, Mary Ellen Davis
Productions du Système D en co-prod. avec l'Office national du film
Avec le soutien de: Conseil des arts du Canada, Téléfilm Canada, TV5,
Vision TV, TV Ontario La Chaîne, Knowledge Network, CKVR.
Grand Prix du Jury 1993, Festival cinéma et monde rural, France
Silver Apple 1993, National Educational Film & Video Festival, U.S.A.
L.A.S.A. Award of Merit in Film 1992 (Latin American Studies
Association, U.S.A.)
Festivals: France, United States, Great-Britain, Spain, Cuba, Portugal
Contact us :
Productions B'alba
5704 rue St-Urbain
Montréal, Québec
H2T 2X3 Canada
Phone or fax: (514) 270-7983
E-mail: medavis at sympatico.ca
www3.sympatico.ca/medavis
<http://www3.sympatico.ca/medavis/edream.htm> *****
--
Yoshie
* Bring Them Home Now! <http://www.bringthemhomenow.org/>
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