[lbo-talk] Art and Persuasion

Wojtek Sokolowski sokol at jhu.edu
Thu Sep 1 07:19:16 PDT 2005


Justin:
> poem of his) -- I think that the issue of whether you
> can persude people through art is interest and
> empirically testable. It would be possible to survey
> people's views one some question, expose them to works
> of art that address it, resurvey them, and see if
> there was any statistically significant difference. 

A lot of such research has been done in media studies - what they usually
find is no direct effect.  The effect that has been confirmed as "agenda
setting" (i.e. media not telling you what to think but what to think about).
Another outcome is the "uses gratifications" which emphasizes the fact that
media contents is usually socially mediated and interpreted and as such
beyond control of the original sender.  In other words, any message is
usually re-constructed, re-interpreted and integrated into larger
interpretative frames by the audience and that process is affected by local
social norms, values, expectations etc.  As a result the effect intended by
the original sender is often diluted, altered or altogether lost.  

While we are at that, my original master thesis idea involved an
experimental research to test the hypothesized "learned helplessness" effect
induced by the media.  In psychology, learned helplessness denotes a
situation in which repeated administration of aversive stimuli to
"experimental" subjects (they've done with both animals and people) produces
the absence of avoidance behavior to such stimuli in the future, together
with other negative effects, such as depression and the impaired learning
ability.  I hypothesized that the media form (constant commercial
interruptions) and contents (violence and gore) produce such learned
helplessness, and I proposed an experimental design to measure it by pre-
and post- learning tests.  My advisor persuaded me not to pursue that
project, arguing that most likely I would not get any measurable results.  

> 
> Now, are people persuaded by art? W, you have
> practically the entire weight of Western though
> against you -- high and low. That's why Plato wanted

I did not say that art has no influence, all I was saying that it is
difficult to use art as a tool to achieve an effect that is desirable from a
broadly defined left point of view.  More specifically, I was objecting to
the proposition of using shock in art as the means to influence people.  

That art does influence people can be easily demonstrated by marketing and
advertisement - which is an art form of a sort and clearly does influence
people.  But marketing also tells us that the most persuasive messages are
certainly not the ones that are shocking and repulsive.  

The ubiquitous and frivolous use of violence in pop-culture is a result of
several factors, such as the mass media creating what amount to "background
noise" which in turn creates the need for  attention grabbing artifices for
individual messages to stand out from that cacophony, or the manufacturing
of the "teenage counter-culture" that overstimulates dulled or unrefined
tastes which was originally a niche that, like athletic shoes, swallowed the
entire industry.  That prevalence of overstimulation and attention grabbing
in popculture, of which sex and violence are critical parts because we are
biologically pre-wired to pay attention to this kind of stimuli all but
killed any potential artistic value of sexual or violent contents (cf.
Dali).

As a result, I avoid any message that contains depictions of violence - even
those in "lefty" publications intended to create moral outrage - because
such messages only make me upset and obscure rational thinking.  The only
effect of these messages is to make me inclined to avoid the subject
altogether rather than trying to do something about it - which was supposed
intention of the message.

I also avoid any form of "in-your-face" message or artistic form.  Part of
it is because of the ubiquity and overstimulation mentioned earlier, and
another part of it is that it epitomizes the "me-centrism" forming the
backbone of the consumer society - everything centers around ME so I can do
whatever it takes to get what I want and stick it in your face if I need to
and I do not really give a shit whether anyone likes it or not and how it
affects everyone else as long is it serves ME.   

But that is, of course, different form claiming  that art has no influence.
However, that influence is usually different from that originally intended
(the uses and gratifications effect) and its reception has cognitive
limitations mentioned in my earlier posting.

Wojtek






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