[lbo-talk] Michelangelo , was Re: The sources of suffering (Grow up!) ( Was Re: Harry Potter, Metritocracy, and Reward)

Yoshie Furuhashi critical.montages at gmail.com
Mon Aug 27 21:37:21 PDT 2007


On 8/27/07, Chris Doss <lookoverhere1 at yahoo.com> wrote:
>
> OK, I'll rephrase the question then. How do we know
> that M. was sexually attracted to men?

John Addington Symonds says that "We know that, in some way or other, perhaps during those early years at Florence among the members of the Platonic Academy, Michelangelo absorbed the doctrines of the Phaedrus and Symposium. His poems abound in references to the contrast between Uranian and Pandemic, celestial and vulgar, Eros. We have even one sonnet in which he distinctly states the Greek opinion that the love of women is unworthy of a soul bent upon high thoughts and virile actions" (The Life of Michelangelo Buonarroti, 1893, <http://www.infopt.demon.co.uk/michelan.htm>), which was probably the dominant idea rather than an exception in many cultures till the invention of modern sexual identities. Professions of passionate love of same-sex friends were common, which seldom sought to quarantine physical from spiritual.

<http://www.fordham.edu/halsall/pwh/michang1.html> MICHELANGELO BUONARROTI (1474-1564): Three Sonnets

Translated by John Addington Symonds

These sonnets of Michaelangelo's were once subjected to a deliberate effort, by his relatives, to present them as heterosexual. Since the work of JA Symonds in the nineteenth century, their homoerotic nature has been clear.

To Tommaso de Cavalieri

A CHE PIU DEBB'IO

"Why should I seek to ease intense desire

With still more tears and windy words of grief,

When heaven, or late or soon, sends no relief

To souls whom love hath robed around with fire.

Why need my aching heart to death aspire,

When all must die? Nay death beyond belief

Unto these eyes would be both sweet and brief,

Since in my sum of woes all joys expire.

Therefore because I cannot shun the blow

I rather seek, say who must rule my breast,

Gliding between her gladness and her woe?

If only chains and bands can make me blest,

No marvel if alone and bare I go

An armed Knight's captive and slave confessed."

VEGGIO NEL TUO BEL VISO

"From thy fair face I learn, O my loved lord,

That which no mortal tongue can rightly say;

The soul imprisoned in her house of clay,

Holpen by thee to God hath often soared:

And tho' the vulgar, vain, malignant horde

Attribute what their grosser wills obey,

Yet shall this fervent homage that I pay,

This love, this faith, pure joys for us afford.

Lo, all the lovely things we find on earth,

Resemble for the soul that rightly sees,

That source of bliss divine which gave us birth:

Nor have we first fruits or remembrances

Of heaven elsewhere. Thus, loving loyally,

I rise to God and make death sweet by thee."

NON VIDER GLI OCCHI MIEI

"No mortal thing enthralled these longing eyes

When perfect peace in thy fair face I found:

But far within, where all is holy ground,

My soul felt Love, her comrade of the skies:

For she was born with God in Paradise;

Nor all the shows of beauty shed around

This fair false world her wings to earth have bound;

Unto the Love of Loves aloft she flies.

Nay, things that suffer death quench not the fire

Of deathless spirits; nor eternity

Serves sordid Time, that withers all things rare.

Not love but lawless impulse is desire:

That slays the soul; our love makes still more fair

Our friends on earth, fairer in death on high."

-- Yoshie



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