[lbo-talk] Letterman's company, writers are primed to talk; Worldwide Pants takes the union up on its offer to negotiate with individual firms.
John Adams
jadams01 at sprynet.com
Sun Dec 16 14:35:40 PST 2007
This looks like an important development from here, but then, I'm two
thousand miles away:
<http://www.latimes.com/news/nationworld/nation/la-na-
letterman16dec16,1,4468284.story?coll=la-headlines-nation>
Letterman's company, writers are primed to talk
Worldwide Pants takes the union up on its offer to negotiate with
individual firms.
By Matea Gold, Los Angeles Times Staff Writer
December 16, 2007
NEW YORK -- David Letterman's production company, Worldwide Pants,
jumped at the chance Saturday to negotiate independently with the
Writers Guild of America, saying it was eager to make a deal with its
striking writers and get new episodes of its late-night shows back on
the air.
The move by Worldwide Pants, which produces the "Late Show With David
Letterman" and "The Late Late Show With Craig Ferguson," could bolster
the union's efforts to break apart the alliance of studios and networks
with which it has been at loggerheads.
Hours after the union told its members it would try to break the logjam
by dealing with individual companies, Worldwide Pants Chief Executive
Rob Burnett said the company would take the guild up on its offer.
"Because we are an independent production company, we are able to
pursue an interim agreement with the guild without involving CBS in
that pursuit," Burnett said in a statement. He added that the company
told the WGA when the strike started that it would be willing to make
such a deal consistent with the guild's demands: "It is our strong
desire to be back on the air with our writers, and we hope that will
happen as soon as possible."
CBS, which broadcasts the two late-night shows, said it respected
Worldwide Pants' desire to help its employees. But network spokesman
Chris Ender said that "should not confuse the fact that CBS remains
unified with the [Alliance of Motion Picture and Television Producers]
and committed to working with the member companies to reach a fair and
reasonable agreement with the WGA."
WGA officials did not have an immediate response as to how quickly
negotiations with the company could proceed.
Bill Scheft, a veteran Letterman writer and the program's WGA strike
captain, greeted Saturday's developments with relief. "This would be
too good to be true," he said. "It's totally pro-writer, which is what
Dave has been throughout. Ideally, other people would then fall in
line."
On Saturday, guild officials sent members a letter detailing their new
strategy, which they plan to present to individual studios on Monday.
"We want to do everything in our power to move negotiations forward and
end this devastating strike," the guild's negotiating committee wrote.
"The internal dynamics of the [alliance] make it difficult for the
conglomerates to reach consensus and negotiate with us on a
give-and-take basis."
An AMPTP spokesman dismissed the union's tactic, saying the guild was
"grasping for straws" and that its members were unified.
The deal would be a major boon to Letterman, allowing him return to the
air with his writing staff at a time when his rivals are sidelined.
The CBS host is in a better position to make an individual deal with
the WGA than late-night hosts Jay Leno, Conan O'Brien and Jimmy Kimmel,
whose programs are owned by their networks.
They may return to the air without their writers -- a move considered
likely to happen after the new year -- but could face problems getting
guests to cross the picket line.
Since the strike began, all the late-nights hosts have worked to ensure
that their non-writing staffs continued to get paid, with many doling
money out of their own pockets. It's unclear how long they would be
able to continue doing so; Letterman alone has been spending $300,000 a
week on payroll.
For the last six weeks, the Letterman show writers have been a constant
presence on the New York picket lines and have produced a lively blog
about the labor stoppage.
Scheft said that while the show's writers would be thrilled to be back
at work, "you think about all the people still left on the line."
"The longer it's gone on, the more I believe in what we're doing,"
Scheft said.
matea.gold at latimes.com
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