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One of the severe side effects of imperialism in its advanced stages seems to be that it rots the brains of the imperialists. They start believing that they are the bearers of civilization, the bringers of light to "primitives" and "savages" (largely so identified because of their resistance to being "liberated" by us), the carriers of science and modernity to backward peoples, beacons and guides for citizens of the "underdeveloped world."
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When imperialist activities produce unmentionable outcomes, such as those well known to anyone paying attention to Afghanistan since about 1990, then ideological thinking kicks in. The horror story is suppressed, or reinterpreted as something benign or ridiculous (a "comedy"), or simply curtailed before the denouement becomes obvious. Thus, for example, Melissa Roddy, a Los Angeles film-maker with inside information from the Charlie Wilson production team, <http://www.alternet.org/stories/71286/>notes that the film's happy ending came about because Tom Hanks, a co-producer as well as the leading actor, "just can't deal with this 9/11 thing."
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The tendency of imperialism to rot the brains of imperialists is particularly on display in the recent spate of articles and reviews in mainstream American newspapers about the film. For reasons not entirely clear, an overwhelming majority of reviewers concluded that Charlie Wilson's War is a "feel-good comedy" (Lou Lumenick in the New York Post), a "high-living, hard-partying jihad" (A.O. Scott in the New York Times), "a sharp-edged, wickedly funny comedy" (Roger Ebert in the Chicago Sun-Times). Stephen Hunter in the Washington Post wrote of "Mike Nichols's laff-a-minute chronicle of the congressman's crusade to ram funding through the House Appropriations Committee to supply arms to the Afghan mujahideen"; while, in a piece entitled "Sex! Drugs! (and Maybe a Little War)," Richard L. Berke in the New York Times offered this <http://www.nytimes.com/2007/12/16/movies/16berk.html?_r=1&oref=slogin>stamp of approval: "You can make a movie that is relevant and intelligent -- and palatable to a mass audience -- if its political pills are sugar-coated."
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My own view is that if Charlie Wilson's War is a comedy, it's the kind that goes over well with a roomful of louts in a college fraternity house. Simply put, it is imperialist propaganda and the tragedy is that four-and-a-half years after we invaded Iraq and destroyed it, such dangerously misleading nonsense is still being offered to a gullible public. The most accurate review so far is James Rocchi's summing-up for <http://www.cinematical.com/2007/12/21/review-charlie-wilsons-war-jamess-take/>Cinematical: "Charlie Wilson's War isn't just bad history; it feels even more malign, like a conscious attempt to induce amnesia."