[lbo-talk] Writer's Strike

g.a.s. gasinsystem at yahoo.com
Tue Jan 15 14:47:33 PST 2008


Jean-l\Luc Godard said once, paraphrased: Everytime Hollwood rolls out another of those WWII or (anti?)Nazi-flicks: they would have to cut a big check for Hitler&Co, since there 're the actual screen-play-hacks.... you get the picture.

BklynMagus <magcomm at ix.netcom.com> wrote: > Why should a cabinet maker have to physically build cabinets his entire life to derive an income stream but if I take a photograph that image should generate a perpetual income stream for me? Is photography so much harder or more important than cabinetry?

I do not think this is the correct way to understand the issue.

When my plays are produced by others, they generate a revenue stream. Why shouldn't I be entitled to a portion of it?

If my work is re-produced/re-tranmitted/re-purposed in new media that generate new income streams, why should I, the originator of the work, be left out of the process?

Don't I as a worker become aliented from the product of my labor when other people can make use of my work to generate income streams for themselves and not share any proceeds with me?

I have often argued that when an artist's work is up for auction, they should receive a portion of the proceeeds from the sale since it is the product of their work that generates the revenue stream. If Sotheby's can get a commission, why not the artist who started the process in the first place with her work?

Brian

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