[lbo-talk] Neo-Lamarckianism???? Come on!

Carrol Cox cbcox at ilstu.edu
Thu Jan 17 13:46:12 PST 2008


One can _never_ KNOW the correctness of one's construal of a text at all complex; the hope here is not certainty but reduce disagreement to two or three clusters of only mildly disagreement. No one will _ever_ know for sure just how to construe all the levels of irony in Swift's "An Argument against the Abolishing of Christianity." No one will ever know just when Pope began the composition of Essay on Criticism and just when he completed the draft which was printed. There is no way of knowing with any certainty whether or not Pope approved of certain changes Warburton (or perhaps Pope) made in the 1751 edition of his works.

dI believe that the Dunciad focused on too many BOOKS, PERIOD, not on merely too many bad books, but that is strictly a minority position and I know of no way, even in principle, in which it could be determined. It is not even certain that a statement by Pope in some letter stating which would determine the issue; in fact such a letter would make the issue even more doubtful for many.

There is no way of knowing with reasonable certainty, let alone certainty, whether Austen was being flippant (ironic) as everyone bu me supposes in the letter in which she said that P&P need a few digressions expounding solemnly on some topic or other.

There is no way of knowing even the probable let alone certain validity of any "If...Then" proposition about the Battle of Gettysburg.

There is no way of knowing whether or not 50 years from now any readers of the archives of lbo will agree or think utterly banal statements here about what buildins are ugly. The buildings many now regard as quite beautiful were regarded as impossibly ugly 60 years ago.

More later on the uncertainties of construl raised by Albritton's interpretation of _Capital_, _Theories of SV_, and _Grundrisse_.

Carrol

Miles Jackson wrote:
>
> Charles Brown wrote:
> >
> > The basic point is nothing is unknowable in principle. Are you thinking
> > of something in art or literature that is unknowable ?
> >
> >
> No, I'm saying that scientific knowledge is not the only interesting
> form of human knowledge. You seem to be assuming that "knowable" =
> "object of scientific study". There are many domains where we "know"
> things without doing science.
>
> Miles
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