[lbo-talk] Great Conservative Films

Carrol Cox cbcox at ilstu.edu
Sun Feb 15 13:32:59 PST 2009


No films, no novels, no poems are either "conservative" or liberal in and of themselves. The political thrust of _any_ "work of art" is determined not by the work itsef but by the audience and the context in which the audience takes in the work.

Consider. The Pound list has been quiescent for several years, but at the time when it was active, the political center of gravity of the list (now note: all lovers of the fascist epic, The cAntos) -- the political center of gravity of that list was rather to the left of this list! I'm sure that a audience properly prepared could view The Salt of the Earth as a vigorious defense of bourgeois individualsim and hence as a defense of the promise of capitalism.

Another problem. "Conservative" is a pretty meaningless term. In its origins Conservatism was the dfefense of rule by a landed elite, through which the threat of capitalist commercialism could be controlled. Swift, Pope, Bolingbroke, & John Adams were the last great Conservative thinkers. (Adams was a great admirer of Bolingbroke.) Conservatism was already dead or adulterated in the hands of Edmund Burke, the patron saint of modern self-labelled conservatives, who are in fact merely one inflection of liberalism.

Carrol



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