[lbo-talk] ruins of Detroit

c b cb31450 at gmail.com
Thu May 27 07:29:20 PDT 2010


Doesn't Techno have big Detroit roots ? There's a Techno festival in Hart Plaza right now and it's shaking the Detroit "City Hall" Building.

Techno is "Motor" music.

http://en.wikipedia.org/wiki/Techno

Techno

For the comic book character previously known as Techno, see Fixer (comics). For the prefix, see techno-. Techno Stylistic origins Electro, post-disco, Chicago house, industrial music, funk, synthpop, Hi-NRG Cultural origins mid-1980s, Detroit, US Typical instruments Synthesizer, keyboards, sampler, drum machine, sequencer, personal computer Mainstream popularity Moderate, largely in late 1980s and 1990s in Europe, more popular in Eastern Europe and Brazil currently Derivative forms Minimal techno, acid techno, aggrotech, hardcore techno Subgenres Ambient techno, ghettotech, microhouse, tech house, tech trance, techstep (complete list) Fusion genres IDM, trance Regional scenes Detroit techno, Nortec, Schranz Other topics Electronic musical instrument – computer music – record labels – raves – free party – teknival Techno is a form of electronic dance music (EDM)[1] that emerged in Detroit, Michigan (USA) in the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988.[2][3] Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.[4]

The initial take on techno arose from the melding of Eurocentric electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes[5] that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler.[6][7] Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality.[8][9] In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".[10]

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused



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