Sent from my iPhone
On Nov 17, 2010, at 7:30 PM, Dennis Claxton <ddclaxton at earthlink.net> wrote:
> At 12:15 AM 11/17/2010, Joel Schalit wrote:
>
>
>> His material consisted of recordings of storms in the North Sea. My wife and I left the show completely stunned. It changed the way we thought about sound, and its communicative possibilities.
>
>
> You might like these:
>
> http://cluistore.org/cluiassociated.html
>
> Field Recordings from the Great Salt Lake Desert, CD
> John Arndt
>
> Recordings made in June and July 2006, in Wendover, Utah, by John Arndt as part of the CLUI Wendover Residency Program. Selections include: Dust Storm, Bats, the Quonset Cricket, Sun Tunnel Beat.
> John Arndt and Gallery 400, 2006, 48 minutes.
>
>
> Midnight at the Caverns: Music from the Great Stalacpipe Organ, with Monte Maxwell
>
> The sound of the "largest musical instrument in the world," the Great Stalacpipe Organ in Virginia's Luray Caverns, an instrument invented by Leeland Sprinkle, who discovered that striking certain rock formations in the cave produced musical tones. Halting, hollow, and oddly punctuated with percussive drips from the cave formations, Chopin Preludes, Greensleeves, Amazing Grace, Beautiful Dreamer, and especially Beethoven's Moonlight Sonata, as well as 10 other classics, sound completely fresh, haunting, and original. Featured in the 1998 CLUI exhibit "Subterranean Renovations: the Unique Architectural Spaces of Show Caves."
> ___________________________________
> http://mailman.lbo-talk.org/mailman/listinfo/lbo-talk