[lbo-talk] Blixa Bargeld Reads Hornbach

joel schalit jschalit at gmail.com
Mon Oct 25 22:48:05 PDT 2010


That's a very fair assessment of Lydon's career. Agreed. I would add that I've been listening to The Great Rock and Roll Swindle again, for the first time in years. In hindsight, it retains some critical value.

The inspiration? Seeing adverts around Stuttgart for Sting performing orchestral versions of Police hits, as well as songs from his even more regrettable solo career. It's like a live rendition of Swindle, sans the irony.

Joel

On Tue, Oct 26, 2010 at 12:39 AM, Angelus Novus <fuerdenkommunismus at yahoo.com> wrote:
>
> John Gulick:
>
>> For the longest time Lydon's leading charm has been his willful hypocrisy
>
> What hypocrisy?  Lydon has never pretended to be any kind of leftist.  In fact
> he has proclaimed his hostility to socialism on numerous occasions.
>
> The Situationist posturing of the Sex Pistols was 100% McLaren's influence;
> whatever one's feelings about McLaren's relationship to the band, I think Jon
> Savage's book England's Dreaming makes a rather convincing case that the most
> interesting aspects of the Sex Pistols were entirely due to McLaren: the image
> he created for them, the discursive context he placed them in, the influences he
> claimed for them, etc.
>
> The Sex Pistols were rather dire guitar-driven sludge rock.  John Lydon's only
> interesting *musical* output are the first two PiL albums (and that's not a
> slight; Metal Box would make my top ten list of rock/pop albums ever).
>
>
>
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-- joel schalit skype: jschalit tel: +49 1514 0212899 email: jschalit at gmail.com web: www.joelschalit.com



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