$18.95 | paperback | 0-8018-6649-9 2001 paperback, 336 pp.
Selected by Choice Magazine as an Outstanding Academic Book of the Year
"[Zlotnick] forces us to rethink the whole issue of industrial capitalism and especially its effect on women in the workforce (including female novelists themselves, who benefitted greatly from the expanded market for literature capitalism made possible). This is a far-reaching and original book that should be required reading for all students and scholars of 19th-century literature."--Virginia Quarterly Review
"A compelling new reading of an important facet of British cultural history, based on contrasting literary treatments of the effects of the industrial revolution by male and female writers."--Victorian Periodicals Review
"Distinguished by clarity of prose and quality of research... Contributing a new reading of the social problem genre in relation to gender, this study adds a crucial perspective through its emphasis on noncanonical and working-class writing."--Lynette Felber, Tulsa Studies in Women's Literature
The industrial revolution in nineteenth-century England disrupted traditional ways of life. Condemning these transformations, the male writers who explored the brave new world of Victorian industrialism looked longingly to an idealized past. However, British women writers were not so pessimistic and some even foresaw the prospect of real improvement. As Susan Zlotnick argues in Women, Writing, and the Industrial Revolution, novelists Elizabeth Gaskell, Charlotte Brontë, Frances Trollope, and Charlotte Elizabeth Tonna were more willing to embrace industrialism than their male counterparts. While these women's responses to early industrialism differed widely, they imagined the industrial revolution and the modernity it heralded in ways unique to their gender. Zlotnick extends her analysis of the literature of the industrial revolution to the poetry and prose produced by working-class men and women. She examines the works of Chartist poets, dialect writers, and two "factory girl" poets who wrote about their experiences in the mills.
Table of Contents
Introduction Chapter 1 A "World Turned Upside Downwards": Men, Dematerialization, and the Disposition-of-England Question Chapter 2 The Fortunate Fall: Charlotte Brontë, Elizabeth Gaskell, and Female Myths of Progress Chapter 3 Frances Trollope, Charlotte Elizabeth Tonna, and the Early Industrial Discourse Chapter 4 Nostalgia and the Ideology of Domesticity in Working-Class Literature Conclusion: Past and Present: The Industrial Revolution in a (Victorian) Post-Industrial World
Susan Zlotnick is an associate professor of English at Vassar College.
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<http://www.press.jhu.edu/press/books/titles/s01/s01zlwo.htm> *****
Susan Zlotnick: <http://english.vassar.edu/faculty/zlotnick.html>
Susan Zlotnick, "Lowly Bards and Incomplete Lyres: Fanny Forrester and the Construction of a Working-Class Woman's Poetic Identity," _Victorian Poetry_ 36.1 (Spring 1998), <http://vp.engl.wvu.edu/spring98/zlotnick.htm>. -- Yoshie
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