>Of course, that's Moore's way of saying that white American
>working-class voters should vote out Bush, rather than getting
>fooled by him again, but, if the viewer really thinks about the
>tragic recurrence of the narrative of betrayal -- including
>Fahrenheit 9/11 -- in American culture, the mangled old saying
>becomes haunting, as Fahrenheit 9/11 is not likely to be the last
>narrative of betrayal.
1) Why is Black capitalized and white not? I asked the editors of the late Guardian weekly and the late Crossroads monthly why they did that, and they had no answer.
2) If Moore had made a different movie - your movie, which I suspect would not be packing them in in quite the same quantities (see below) - would the likelihood of future betrayal be lower?
3) Why do you keep ignoring Moore's statement that F911 isn't a pro-Kerry film, that he'll be protesting Kerry if he were to win just as he was after Clinton?
Doug
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Wall Street Journal - July 12, 2004
'Fahrenheit 9/11' Has Recruited Unlikely Audience: U.S. Soldiers
By SHAILAGH MURRAY Staff Reporter of THE WALL STREET JOURNAL
FAYETTEVILLE, N.C. -- John Atkins isn't the sort of person one would expect to find crowding into the Cameo Theatre here to see Michael Moore's "Fahrenheit 9/11."
The 26-year-old U.S. Army machine gunner from Fort Bragg voted for President Bush. A graduate of the University of Colorado-Boulder, he enlisted last year "to serve my country" and expects to go to Iraq later in 2004.
"That was pretty thought-provoking," Spec. Atkins says after a showing of Mr. Moore's documentary. "I guess I'm a little disillusioned. I've got a lot more questions than answers now."
Every day since "Fahrenheit 9/11" opened here more than two weeks ago, military men and women have swarmed to the 125-seat Cameo. "Everyone thinks the military is so staunchly Republican," says Staff Sgt. Brandon Leetch, a military-intelligence specialist who spent time in Afghanistan. "What this shows," he says, looking around the theater before the movie, "is that we're not all the same."
Although a nearby suburban multiplex has started screening "Fahrenheit 9/11," too, on two screens -- meaning Fayetteville residents have their pick of 10 shows a day -- most of the tens of thousands of troops living in the area probably won't see the film. But soldiers and their families make up well over half of each audience at the Cameo, cinema owner Nasim Keunzel estimates.
That surprises Peter Feaver, a political scientist and military specialist at Duke University in North Carolina. There is a sense in the military that "the media is stabbing us in the back as they did during Vietnam" and Mr. Moore's film would seem "Exhibit A," he says.
Most viewers are coming from Fort Bragg, just up the road. But often a few Marines from Camp Lejeune, about two hours away, join them. The night Spec. Atkins attended, three soldiers arrived from South Carolina well after the 7:30 show had, as usual, sold out. The ticket seller set up chairs in an aisle.
"Fahrenheit 9/11" is a harshly satirical and controversial portrait of the Bush presidency, although it has sympathetic scenes of combat soldiers and their families. Critics say it distorts facts to make its point.
It opened in 868 theaters during the week of June 25, and is showing in more than 2,011 theaters across the country. The movie opened in the United Kingdom, Belgium, France and Switzerland last week.
The U.S. Army and Air Force Exchange Service, which distributes films at 164 theaters on bases around the world, is trying to book "Fahrenheit 9/11," spokesman Judd Anstey says.
"Our policy is that if a film is popular in the U.S. and we can get our hands on a print, we'll show it," he says.
Currently, all prints are in commercial theaters. He says it took about a month to get another recent surprise hit, Mel Gibson's "The Passion of the Christ."
Unusual Stop
The Cameo isn't a usual stop for Fort Bragg soldiers. Ms. Keunzel and her husband turned a dilapidated downtown Fayetteville building into a two-screen theater because they loved foreign and independent films and were tired of driving to Raleigh to see them.
Ms. Keunzel didn't even advertise the opening of "Fahrenheit 9/11" in the Fort Bragg newspaper. The film's area distributor told her, "Military people won't want to see it."
But the first two scheduled shows sold out so quickly she added a midnight show. The next day, she added more screenings, for a total of five a day. They all sold out, even though the new times were never published.
Staff Sgt. Billy Alsobrook, 28, a missile repairman in a support battalion, drove to the Cameo one afternoon in his fatigues to get tickets for the evening show so he could take his wife.
"I hear they've got a lot of interviews with soldiers," says Sgt. Alsobrook, whose one-year tour in Iraq ended in February. He expects to return in September.
The Florida native said: "I want to see another point of view on Bush. It never hurts."