[lbo-talk] Michael Moore and Richard Perle Combine Forces:

Joseph Wanzala jwanzala at hotmail.com
Mon Jul 12 09:32:55 PDT 2004


Michael Moore and Richard Perle Combine Forces:

Who Really Wants to Invade Saudi Arabia, and Why? by Tanya C. Hsu http://www.irmep.org/ July 2004 www.globalresearch.ca 9 July 2004 The URL of this article is: http://globalresearch.ca/articles/HSU407A.html

--------------------------------------------------------------------------------

Michael Moore’s new film “Fahrenheit 9/11” has done a tremendous favor for some proponents of a war upon the Arabian Peninsula. The film achieves what endless pages of conservative think-tank studies and panel discussions, hours of PR time and books can not: spill gasoline on the anti-Saudi sparks already ignited within the United States. Moore's film lambastes the Saudis not only for their business relationships but also for leaving the US after the attacks of September 11th 2001 as did other non-Saudi officials on the same day when specific flights were permitted. The overwhelming popularity of this documentary takes the anti-Saudi message to a whole new market. It is the latest manifestation of a rationale for war that could finally execute a long-term plan to invade and occupy the Kingdom. In spite of its progressive producer and target audience, “Fahrenheit 9/11” falls lock-step in line with the stated agenda of neoconservative hawks: rid Arabia of the House of Saud thereby granting the US and allies full access to the Middle East's biggest prize.

(snip)

Whatever inconsistencies exist between US public relations and the "war on terror", the efforts to tie the Saudi government or "Saudis" in general to terrorism is taking effect. Merit or evidence is not the issue. Passion and mobilization is. The movie “Fahrenheit 9/11”, true to its title, turns up the heat through an entirely new American audience: Democrats and Progressives.

The Approaching Decision

On June 25, 2004, Michael Moore's film, "Fahrenheit 9/11" opened to 500 screens and insatiable crowds. The film's message to audiences is clear and simple: the US-Saudi relationship must end. However, Americans should take time to go beyond the film, books, and talk-show pundits to re-examine the complicated history between the US and Saudi Arabia and real motives of parties pushing for war. By understanding the motives and histories of the driving personalities new and old, we can uncover and more fully comprehend an growing case for war in Arabia.

Americans will soon be asked to make a decision about whether invasion is the proper course for American policy. But unlike the build up to a war in Iraq, an informed decision will serve America in a way that hidden plans, rationales and one-sided messages on sale at the box-office cannot.

Coming in Part Two: The History of Fundamentalism and the US Role in Building Saudi Arabia



More information about the lbo-talk mailing list