Worse, media companies are increasingly requiring freelancers to sign over all copyrights. Freelancers used to sell first publication rights (what where then called first North American serial rights) but oftentimes kept subsequent publication rights. With the New York Times leading the way, now many media companies simply take all rights -- and if they give the freelancers anything extra, it usually is a pittance.
See http://www.huffingtonpost.com/albert-kim/why-dont-journalists-get_b_72728.html/. Apparently work-for-hire was codified in 1976 revisions of the Copyright Act.
(At The Progressive Populist we pay freelancers a pittance to start with, but they are free to peddle their wares anyplace else.)
>Jordan Hayes wrote
>> In this case however, the writers have been paid their 'share' for the
>> episode, or whatever ... plus they earn a share of the 'residual'
>> revenue, like many in the entertainment industry on the 'creative' side.
>> It's just not how much of a share that they'd like.
Jerry Monaco wrote:
>I would like to clarify a few things here: For one, those not covered
>by the WGA contract don't get residuals.... for instance writers in
>practically all animations show. But let us put that aside for the
>larger context that Jordan's way of expressing the situation leaves
>out. In this way of putting things he unknowing puts on the glasses
>of the corporations in order to see things.
>
(snipped)