> Not just snobbery but stupid arrogant snobbery. The only permissible
> objective, historical, criteria to evaluate music are the judgments of
> performing musicians and musically literate audiences, to be confirmed
> (or rediscovered) a minimum of two generations after the death of the
> composer. The music of Sibelius, by those standards, stands up very
> well. But Adorno's?
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Sextus Empiricus call your office.